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《波兰中世纪古乐音乐会》[结束]

  • 2017-09-09 周六 19:45
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基本信息


 

演出时间:2017年9月9日  19:45

演出地点:西安丝路剧院(西安市莲湖路洒金桥古都印象文化园区内)

演出时长:以现场为准

入场时间:以现场为准

主办单位:中华人民共和国文化部/陕西省人民政府

承办单位:陕西省文化厅
 


 

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项目详情


演出单位:波兰maria pomianowska 和她的乐团

演出地点:西安音乐学院音乐厅(9月8日),丝路艺术剧院(9月9日)

演出时间:9月8日-9日

 

千年易逝,而人类的梦想从来斑斓。

 

简介:

那些音乐的化石,正是人们穿越时空的最好见证,无论那鸣响是来自波兰古老的乐器鲁特琴,还是已融入了今人更多的想象。但中世纪的神秘故事,正由一支支古乐娓娓讲述而来,那是一个悠远的时代,也是一个复兴的时代。

 

团介:

maria pomianowska教授,多种乐器演奏家,声乐家,作曲家,教师。克拉科夫音乐学院教授,华沙跨文化节导演。自1984年起开始学习演奏亚洲乐器。 2000年,她根据自己丰富的亚洲游历,创作了几篇曲子并同马友友先生还有日本皇后及皇太子一起演出。现已发行专辑20多张,其中很多都获得了国际奖项。2010年,她在克拉科夫音乐学院波兰民族音乐系首次开课。2011年,创建了全世界第一个suka&fidel管弦乐队。其音乐足迹遍布日本、台湾、捷克共、国斯洛伐克、澳大利亚、保加利亚、德国、法国、西班牙、西伯利亚、以色列、英国和非洲,深受观众喜爱。

 

maria pomianowska, ph.d. art

assistant professor of musical arts, multi-instrumentalist, vocalist, composer and teacher. professor of the academy of music in cracow and director of the cross-culture warsaw festival. as a student at the academy, she was granted scholarship to learn sarangi under the guidance of maestro p.ram narayan in india. her artistic interests are marked by different musical systems and forms. since 1984 she has been studying unique techniques of playing asian instruments, travelling to india, china, korea, mongolia, japan and middle east. â between years 1993-96 she conducted the non-european music section at chopin academy of music, along with giving courses at musicology institute of the warsaw university, which portrays the connections and differences between various musical systems. comparative studies and multicultural experiences allowed her to undertake the highly difficult task of reconstructing and taking into consideration artistic as well as scientific values of two missing traditional polish instruments. she reconstructed two polish forgotten instruments :suka from bilgoraj and fiddle from plock. in 1995 she established zespol polski and visited japan, taiwan, czech republic, slovakia, austria, bulgaria, germany, france, spain, siberia, israel , uk, africa. in years 1997-2002 she lived in japan where she continued her musical career. in 2000 drawing from her rich asian experiences she composed pieces, which were ordered by a world-wide famous cellist mr. yoyoma. she performed with him together as well as with the japanese empress and crown prince. she also performed with world-famous artists: â boris grebenshchikov, gil goldstein, gonzalo rubelcaba, ian gilan, anna maria jopek, stanisĺ‚aw soyka and others. she has released over 20 albums, many of which have received international awards. in 2010, she has recorded a new cd: chopin on 5 continents- maria pomianowska and friends, with unique arrangements of chopin’s masterpieces written for ethnic instruments from all over the world. this cd in june 2010 achieved 5th position on world-wide playlist for world music and folk music -world music charts europe organized by ebu. in 2010 she opened first in poland ethnic music department at the academy of music in cracow. in 2011 she created the first in the world â suka& fidel orchestra which consist of her students.

since 2011 she is travelling to middle east and africa creating multi-cultural projects.

 

 亚历桑德拉•卡乌芙( aleksandra kauf)-  2009-2012年在克拉科夫音乐学院大提琴班就读。目前在玛丽亚•波米亚诺夫斯卡的膝上弦琴班就读。曾多次参与由玛丽亚•波米亚诺夫斯卡组织的国际项目,其中包括与丹麦、立陶宛、德国、波兰和瑞典艺术家合作举办的“波罗的海文化之波”(baltic culture wave)活动。2015年参与波兰-印度项目的策划,该项目活动曾多次在波兰和印度两地举行。

 

 伊沃娜•拉帕奇(iwona rapacz) - 毕业于华沙肖邦音乐学院大提琴班。曾于波兰广播乐团及波兰室内交响乐团合作。2008年与波兰乐团一同出席在特拉维夫举办的以色列波兰年音乐会。2011年作为arcus poloniae乐团成员在巴库(阿塞拜疆)和莫斯科(俄罗斯)举办波兰音乐会。

 

帕特雷奇娅•娜皮拉拉(patrycja napierała) - 波兰爵士鼓手,主要活跃于波兰民族音乐界。近二十年来也曾分别与“世界音乐”(world music)、流行乐、民族乐乐、古典音乐、当代音乐和插画音乐领域的乐队合作。帕特雷奇娅毕业于地理学专业。与维也纳euro acousitics音乐工作室保持着长期合作。2015年起正式担任anatolian公司土耳其钹的官方推广代言人。开设私人及团体鼓乐课程。目前与shannon, same suki, sama yoon, pompadur, kayah&transoriental orchestra合作举办音乐会。

 

帕维乌•贝特雷(paweł betley)-  毕业于华沙肖邦音乐学院笛子演奏专业。学生时代就已通过考试进入位于华沙的波兰广播电视乐团,并作为该团首位笛子演奏家在乐团工作至1992年。在此之前两年开始作为作曲家和音效家供职于zet广播电台。1996年创建自己的工作室。帕维乌最为重视与玛丽亚•波米亚诺夫斯卡的合作,两人一同举办音乐会,策划项目。帕维乌还为电影配乐,为儿童及其他项目作曲。

 

 

5节目单:

1. 无名氏:chorea polonica

波兰16、17世纪流行的一种舞蹈音乐,该音乐当时在全欧洲均有传播。当时许多伴有此种音乐的舞蹈也传播到了西班牙、法国和斯堪的纳维亚地区。

2. 波兰民乐: oberka and polka

波兰音乐最鲜明的特色之一就是这种基于三拍子玛祖卡(mazurka rhythm)节奏的舞曲。许多波兰民俗舞音乐和曲调都是基于这种节奏。玛祖卡节奏(mazurka rhythm)舞蹈中动作最快的就是oberka。此曲音乐来自于肖邦诞生地,这也是激发肖邦创作玛祖卡钢琴曲的一种音乐。

3. 波兰民乐:松树

乐曲讲述了一个在农场工作的女孩的故事。她抱怨没人欣赏她,但是她热爱劳动且身体健康,所以她感到很快乐。    

4. 肖邦玛祖卡组曲

所选择的这几首肖邦玛祖卡作品,是肖邦作品中最接近波兰玛祖卡民俗音乐的作品。肖邦就是从波兰中部地区的玛祖卡音乐获得的创作灵感。

5. 玛利亚•波米亚诺斯卡:森林

玛利亚•波米亚诺斯卡教授根据波兰民乐改编,曲子需要舞台上的演奏家通过即兴演出予以配合呈现。                                

6. 波兰民乐: matulu moja and mazurka    

歌曲讲述了一个即将出嫁的女孩,向她的母亲抱怨,不想这么早出嫁,因为她想生活在自己的家里。歌曲伴有一种基于玛祖卡节奏的舞曲音乐。

7. 玛利亚•波米亚诺斯卡:step wind ocean

此曲由玛利亚•波米亚诺斯卡教授创作,糅合了波兰音乐和丝绸之路沿线国家的音乐,并用波兰传统乐器演奏这些混合着波兰民乐和中亚音乐的音乐糅合体。

8. 波兰民乐:哦,白鹅                                                      

乐曲讲述了一个在草地上放鹅的女孩的故事。她也想像鹅一样会游泳,游到自己心爱的人身边去。

9. 领衔艺术家玛利亚•波米亚诺斯卡个人即兴独奏。

1.波兰无名曲——chorea polonica

2.波兰民谣——奥贝雷克和波尔卡

3.波兰民谣——松树

4.弗里德里克•肖邦——玛祖卡舞曲33-2号

 

1. chorea polonica is the name of polish dance music popular in the 16th and 17th centuries. the music spread all over europe during this period. many chorea polonica dances found their way to spain, france and scandinavia at the time.

2. oberek and polka the distinctive expression of polish character in music is the 'mazurka rhythm' based on a triple meter. most polish folk dances and tunes are built around this rhythmic pattern. the fastest dance in the mazurka rhythm is the oberek. the oberek and polka dances presented in the concert come from the region where fryderyk chopin was born. this is the kind of music that inspired chopin when he composed his mazurkas for piano.

3. the pine tree is a polish folk song about a poor girl working hard on a farm. she complains that no one appreciates her. since she loves her work and is healthy, she feels happy.

4. chopin's mazurkas the selected mazurkas are among chopin's compositions closest to folk music, echoing with inspirations drawn from the music of mazovia (poland's central region).

5. maria pomianowska forest (a composition by the group's leader based on polish folk tunes called suwany and tramelka. the piece is supported by improvisations, i.e. music created 'live' on the stage).

6. matulu moja and mazurka a folk song about a girl who is being married off, which makes her very sad. she complains to her mother and asks not to be married too soon, for she would like to go on living in her family home. the song is embellished with a dance tune based on the mazurka rhythm.

7. maria pomianowska

steppe

wind

ocean

compositions by the group's leader in which she creates a synthesis of melodic themes drawn from polish music and music from countries lying along the silk road. traditional polish instruments are used to blend the tones and scales of polish tunes with tunes and scales from central asia.

8. oh goose a folk song about a girl herding geese in a meadow. she wants to be able to swim like a goose to go to her beloved.

9.final programme:

1. polish anonymous – chorea polonica

2. polish folk music – oberek and polka

3. polish folk music – the pine tree

4. f. chopin – mazurka op. 33 no. 2

 

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